Villa Ephrussi de Rothschild in Cap Ferrat

Beelden uit La Belle Èpoque (1871-1914) aan de Franse Rivièra wekken de indruk van een grillige gouden tijd vol plezierige bezigheden en verwennerijen. Het was een tijd van pure fantasie; de dingen waar kleine meisjes van konden dromen — kastelen, vorstelijke huizen, baljurken en glazen muiltjes.

The Baroness

Baroness Charlotte Béatrice Ephrussi de Rothschild was born (in 1864) fabulously wealthy — a daughter of the multi-generational Rothschild bank-founding familyZe kwam al op jonge leeftijd in aanraking met luxe goederen en fantastische kunstwerken en had, net als haar ouders, een passie voor het verzamelen van mooie dingen.

At the age of 19, she was pushed into marriage with Maurice Ephrussi, who was 15 years her senior. The Ephrussi’s were a Russian-Jewish family who made a fortune controlling grain distribution, then made even more money in oil, and later founded a chain of banks called Ephrussi & Co. It was a power move for her father to promise his sophisticated yet virginal daughter to them.

Het was geen verrassing dat het huwelijk snel zuur werd voor Béatrice. Maurice was een man met een zwak karakter en een bedriegende echtgenoot. Niet lang nadat ze getrouwd waren, ontdekte ze dat hij haar een ernstige seksueel overdraagbare ziekte had bezorgd, waardoor ze geen kinderen kon krijgen.

In 1902, Théodore Reinach (who also married into the Ephrussi family) began building a villa at Beaulieu-sur-Mer. Visiting his Villa Kerylos (dat nu ook te bezichtigen is), werd Béatrice verliefd op de streek.

Maurice, too, was attracted to the South of France, because of the Casino de Monte Carlo, and he and Béatrice maintained residency in tax-free MonacoHij was een gokverslaafde (zowel aan de kaarttafel als via paardenraces) en in 1904 had hij hen in een enorme gokschuld gestort, die opliep tot maar liefst 12 miljoen goudfranken (het equivalent van € 30 miljoen vandaag de dag).

Worried about the family’s financial future and not wanting the Rothschild name to be associated Maurice or his mounting debts, Béatrice’s father finally agreed to bring him to court in order to file for a divorce. They won the case and in June 1904, after 21 years of marriage, their divorce was officially pronounced and their loveless marriage was finally over.

The Villa

Béatrice’s father died in 1905 (luckily, after her divorce) and she inherited part of his immense fortune. That same year, now 40 years old, she decided that she wanted a to start a fresh and independent new life, and that the way to do this was to construct her dream home in Kap Ferrat.

When she first discovered this 17-acre (69,000 m²) plot of land on Cap Ferrat, she was immediately seduced by the beauty of the surroundings. At the time the land was rather inaccessible; it was little more than a barren rocky area traversed by a mule track. When she learned the property was for sale and that the Belgian King, Léopold II, was also interested in it, she purchased it without hesitation and began building a luxurious villa in what later became known as the Goût Rothschild style.

The project, which included magnificent gardens, took seven years (1905 to 1912) to complete. Béatrice was especially fastidious when it came to the choice of an architect. She refused plans submitted by a dozen or so leading architects, including the projects proposed by Claude Girault (architect of the Petit Palais), and Henri-Paul Nénot (recipient of the Grand Prix de Rome and designer of the new Sorbonne). Architect Jacques-Marcel Auburtin was eventually entrusted with the design of the villa, having scrupulously met all of Béatrice’s requirements. He was assisted by Aaron Messiah, an architect from Nice who would go on to build several villas for the aristocracy.

Villa Ile-de-France (as it was called at the time) is a pastiche of Veronese marble, Louis XV furniture, and thousands and thousands of Sèvres tureens.

Béatrice was such a good customer, that sellers were willing to load their art and furniture onto trains and bring their shops to her. She furnished her villa directly at the Gare de Beaulieu; a train would arrive from Paris loaded with furniture and works of art and Béatrice would select the artwork she wanted for her villa on the platform of the train station! Much of the art and furniture not selected for this villa would, instead, furnish her villa in Monaco.

Béatrice hield van kunst en gebruikte haar rijkdom om de wereld rond te reizen en een collectie schilderijen te verwerven, waaronder oude meesters, plus sculpturen, zeldzaam porselein en antieke meubels. Ze genoot ervan om de villa te vullen met haar steeds groeiende kunstcollecties. Ze creëerde ook haar eigen privédierentuin met exotische vogels en dieren, waaronder flamingo's, papegaaien, apen, mangoesten, antilopen en gazellen. Ze maakte er een hub van voor kunst van alle soorten: literaire feesten, muziek, bijeenkomsten van kunstverzamelaars en boeiende gesprekken.

The Gardens

The villa is most famous for its nine themed gardens, as well as the rose and plant festival that takes place each May. Béatrice called upon the talents of several renowned designers including Harold Peto En Achille Duchêne — destijds zeer gewaardeerde landschapsarchitecten in Europa en de Verenigde Staten.

The site chosen for the villa was not particularly conducive to the creation of a garden. Indeed, creating a park on a rocky promontory covered with trees and exposed to strong winds was quite a tour de force. Béatrice had the ground dynamited and large quantities of earth were brought in to re-level the surface. Hundreds of Italian workers were hired for these large-scale re-leveling works. It was not uncommon to see her employees hidden in pyramids of green cardboard, representing cypress trees, or maneuvering long strips of silver, grey and green fabric in an attempt to determine the exact location of the ponds, driveways and flower beds…

Béatrice was inspired by her travels to create nine distinct gardens designed around international themes. Spanish, Florentine or Japanese… garden of the Muses, garden of the Lapidary, the rose garden… Impeccable walk-ways, classical statues, palm trees, and rare floral fragrances surround this paradise. As it was in her time, every twenty minutes, the famous “musical fountain” still moves into action while playing Mozart.

The Desecration

Béatrice made the villa her winter residence and came here regularly for a period of ten or so years, dividing her time between Paris, Monaco and Deauville. Having been born in the Talleyrand hotel in Paris on the 14th of September 1864, she died in Davos, Switzerland on the 7th of April 1934, of tuberculosis. On her death, the Baroness donated the property and its collections to the Académie des Beaux Arts division of the Institut de France en het is nu open voor publiek.

Gruwelijk genoeg nam Frankrijk (onder het bewind van de collaborerende Vichy-regering) tijdens WO2 deel aan het systematisch plunderen en liquideren van haar villa en collecties. Tijdens de oorlog werd Cap Ferrat verlaten door haar bewoners en werd het gebied gemijnd en geplunderd. De villa bleef twee jaar lang onbeheerd en de tuinen waren verlaten.

Rebirth & Dishonor

After the war, the male-dominated Academy of Fine Arts hired Louis Marchand to work on the badly neglected gardens, and restore them to their pre-war splendor. The building was repaired and a new color scheme chosen for the facades: while Béatrice had chosen ochre yellow, the Academy re-painted the villa in pink. Béatrice was a woman who knew what she wanted, and carefully chose every detail of the villa, making this a surprising move.

In an equally shocking (read: deeply sexist) move, the villa was renamed from Béatrice’s chosen name of ‘Ile de France’ to ‘Villa Ephrussi de Rothschild’. Beatrice’s horrible ex-husband’s name was added before hers, forever entwining their history in the public eye and unjustly giving him credit for a villa he had nothing to do with — in fact, he had never set foot in it! This would have disgusted Béatrice, who was a feminist and had to deal with sexism throughout her life. We hold out hope that the Academy will remove “Ephrussi” from the name in the near future.

Today, the villa and much of the gardens remain (although much of the land has been sold off) and, thanks to Béatrice, this estate is a major tourist attraction and money-maker for the French Riviera. It is not in very good condition, but still worth visiting to see the gardens and the surviving treasures collected by the Baroness.

Events to Attend

Many events are held at the villa. Check this post and our evenementenkalender for updates.

Summer Evening Cocktail Parties: ‘Nocturnes de la Villa’

In July and August, the Villa Ephrussi de Rothschild stays open on some evenings so that you can discover the villa and its gardens during evening events that will revive the magic of the golden days of the Riviera. Live music, fountains, a bar, and candles all around the gardens will create the setting for a romantic and glamorous visit of the villa. The patio and the basins of the Jardin à la Française (French-style garden) will be illuminated by hundreds of candles.

The 2023 season of ‘Nocturnes de la Villa’ is planned for every Monday and Tuesday night from July 3 to August 22, 2023. The evenings will revolve around music in an array of forms, from Latin American to jazz, and the programme features a roster of talented artists with equally international backgrounds, such as Brazilian signer Márcio Faraco on the launch night, Canada’s opera great Marie-Nicole Lemieux on July 11 and France’s swing star Liane Foly on July 18, 2023. 

Some nights will (in addition to music) be accompanied by poetry readings, others by circus performances (July 13 and August 1, 2023) and dance recitals. The full programme can be found hier.

Given the spectacular backdrop of the Villa Ephrussi de Rothschild’s gardens and the various gastronomic offerings available, such as the dinner package at the onsite restaurant for €105 and the “Panier Fraîcheur” picnic meal on the lawns for €60, this series of 16 concerts will be a true treat for the senses.  

The standard entry price is €35 per person and €80 for a family of four. Reservations are required. Each of the concerts begins at 8pm and continues until midnight.

Evening Concert & Dinner Parties

From December to March, Villa Rothschild opens their doors after 6pm for the occasional concert and dinner party event. These memorable evenings are offered with intimate concerts, illuminated gardens and champagne. The concerts are followed by an optional candlelit dinner facing the bay of Villefranche. See timing, details and get tickets here.

Visiting Details

De villa (inclusief de tuinen) is open voor bezoek en is de moeite waard om te bezoeken. Er is ook een tearoom/restaurant in wat voorheen als eetkamer werd gebruikt. U kunt in deze rustige oase met een onbelemmerd uitzicht op de baai van Villefranche terecht voor een heerlijke snack. Tijdens de lunch serveert de tearoom lichte maaltijden (salades, quiches of de dagspecial).

Website: Official Villa Ephrussi de Rothschild website

Nearby: If you fancy making a day out of it, consider also walking over to the Greek Villa Kerylos , which is a pleasant walk down the coast in Beaulieu, with stunning views.

Meer willen? Hier is een lijst met beroemde villa's, de beroemdheden die ze bezaten en de gekke dingen die daar gebeurden.